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This is particularly useful for monophonic synth sounds. Virtually all parameters of the effect are also available as modulation destinations.
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Effects can be re-ordered to whatever setup that you choose.
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BUILT-IN SUITE OF EFFECTSĪn Effects rack with 10 Effect Modules lets you get the sound all the way to the finish line within Serum. Get inventive with atypical philtre methods, such as downsampling, or special philtre forms that have not been seen anywhere before, such as the dirty-sounding French LPF. Dual philtre types allow you to monitor or morph between philtre types. Flangers, Phasers, and Comb philtres all of which can be key-tracked to the musical note you perform. Serum contains all philtre types found in LFOTool, in addition to several brand-new philtre types. This makes FM/AM/RM/Oscillator Sync and many other ways to change the waveform, including “Remap” modes-a graphic editor for drawing your own custom table manipulations.
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In addition to passing through a series of wavetables (up to 256 make up a single oscillator), the waveform itself can be modified in a separate real-time mechanism called Warp. In other words, to build and change the modulations, you have two opinions/approaches: sometimes a list is good, other times you just want the job done quickly and comfortably.
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In the Mod Matrix, this LFO->Filter relation will now also appear. Would you like an LFO that regulates a cutoff philtre? Only drag the title of the LFO onto the cutoff knob. The modulation scheme facilitates drag-and-drop links between mod sources and destinations. Load up Serum and we think that both what you hear (solid high frequencies, stretching flat all the way up to the listening limits) and what you don’t hear should be heard (no unwanted mud or aliasing gibberish- just good, clean sound). Many common wavetable synthesisers are remarkably bad at suppressing artefacts – some generate artefacts as high as -36 dB to -60 dB (level difference between fundamental on artefacts) even in a high-quality setting, which is well audible, and also often dampen the highest desirable audible frequencies in the process, in order to try to suppress this unwanted signal.In Serum, oscillator native-mode (default) playback works with ultra-high-precision resampling, producing an incredibly inaudible signal-to-noise (for say, -150 dB on a sawtooth played at 44100 at 1 Khz)! This needs a lot of calculations, so the oscillator playback of Serum has been actively optimized using SSE2 instructions to allow this high-quality playback without taxing your Processor more than the standard soft synth already does (decent quality). Objects mean that you are crowding your mix with undesirable tones / frequencies (perhaps unknowingly). This method can produce audible objects without great attention and a whole lot of number crunching. Wavetable playback involves optical resampling to play at varying frequencies. Processing menu options allow you to perform other functions, such as adding fades, crossfades, normalising, exporting, and much more. Using formula functions, create or process waveforms. Using FFT, generate or change waveforms (additive). Draw on the waveform directly, with optional grid-size snapping and a range of tools for shape. Morph using normal linear interpolation (crossfading) or by harmonic/spectral morphing between multiple wavetables.
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Of necessity, you can import single-cycle wavetables, as well as many at once (with in-built sorting options, or manual re-ordering).
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Download audio directly from audio archives. Serum provides a number of tools and options for analysing audio to break it apart into individual waveforms.
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Serum has a correctly designed Wavetable editor-You can build your own wavetables in a number of ways. YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE